About Me

Graduate Architect.

Me Ronn Chua Chang Yeong is soon-to-be graduate architect who practise in Malaysia. I define my worldview of architecture as philosophy of Balance between tectonic, typology and topograpy which, by having a good balance, circumstances tend to cooperate to make things turn out fruitfully.

Brithday 02-01-1994
Call +6017-6993495
Email ronnchua@hotmail.com
Website ronnchua.blogspot.com
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Hong Kong's very limited urban space brings that spectacular urban scheme where the high density of skyscrapers crammed into a small land is a phenomenal sight. Among Hong Kong's numerous remarkable architectures, its spatial typology of death is like no other. Due to the suffering from land shortages in the late 1970s, Hong Kong government had banned the construction of new, permanent cemeteries against mass public burial sites.

The hyper-dense vertical graveyards reach the heights up to 60 stories. The cemeteries carefully arranged and oriented in tiers, are carved into the city’s steep mountainsides like a sloped roof down to the island that offer views over Hong Kong’s residential districts just beyond the mountainside. 


Photos by  RIBA-nominated architectural photographer Finbarr Fallon


The photos by the RIBA-nominated architectural photograpgher, Finbarr Fallon captured the hyper-dense graveyards of Hong Kong, showcasing the sublime geometry of its mountainside burials in a series titled 'Dead Space'. Fallon's photo series of Dead Space explores how these vertical graveyard formed in contrasts with Hong Kong’s contemporary developments.


'I have always been intrigued by how city-specific cemetery design can be. While death is universal, its memorialization practices are not. I found it fascinating that extreme density and verticality continue to be a defining characteristic of Hong Kong’s dwellings for both the living and the dead.' -Finbarr Fallon , 2019
As acccording to Fallon, the images juxtapose residences for two diametrically opposed groups—the residential building for the live, and vertical graveyard for the dead. However, there is a conceptual tension between both environments, the geometric patterns that are reflected in both the skyscrapers’ gridded details and the cemetery’s uniform tombstones create a shared visual language.
The graveyards occupy the area's mountainsides as a response to its extreme urban density, as well as Chinese Feng Shui traditions. As congested as these tiered terraces may seem, but the graveyards are in fact extremely over-priced, making them unattainable to many. In addition to the expenses, there is also the obstacle of space constraints, which is why the Hong Kong government is now encouraging cremation instead of burials. Today, these graveyards represent an abstract intersection between tradition, eternal life, and modern-day demands. -Dima Stouhi , 2019
Despite the extremely cost of burial plots, the Hong Kong citizen still prefer the traditional burial. The people are willing to spend the expenses, as well as to make the arduous climb up to the burial terrace to pay their respect for their ancestors. It is believed that the uppermost grave plots are generally the most auspicious, one has to spare a thought for the relatives who must endure the long and difficult climb to reach the top!



reference:
Evan Nicole Brown (2019). Inside the High-rise Graveyard of Hong Kong. Fast Company. Retrieved from: https://www.fastcompany.com/90398412/the-high-rise-graveyards-of-hong-kong-in-photos

Lynne Myers (2019). Dead Space by Finbarr Fallon Documents The Hyperdense Vertical Graveyards Of Hong Kong. Designboom. Retrieved from: https://www.designboom.com/architecture/dead-space-finbarr-fallon-vertical-graveyards-hong-kong-08-23-2019/

Dima Stouhi (2019). Photographic Series Captures The Hyper-dense Vertical Graveyards of Hong Kong. ArchDaily. Retrieved from: https://www.archdaily.com/923847/photographic-series-captures-the-hyper-dense-vertical-graveyards-of-hong-kong

Anastasia Arellano. Real Estate Is So Expensive In Hong Kong That Some People Are Buried In Vertical Graveyards.Dusty Old Thing. Retrieved from: https://dustyoldthing.com/vertical-graveyard-hong-kong/
Least Affordable Real Estate Market in the World
No doubt, it's incredibly expensive to stay in Hong Kong than anywhere else in the world. Hong Kong has ranked as the world's least-affordable housing market in the world. The housing prices are now almost 20 times more than annual income. It means that an average household income of RM 50,000 annually would  be looking for a house that cost up to RM 1,000,000. It's absolutely difficult to own a home in Hong Kong. 

The Coffin/Cage Home

Coffin Home

Most residents of Hong Kong with low income have no choice but to squeeze into incredibly small units, the so called Coffin Home. The size of a typical Coffin Home is ranging from 75 sqft to 140 sqft, which is not bigger than a parking space (typical parking lot in Malaysia is 135 sqft). Basically, the room just able to fit one person and their belongings. And units basically stacked on each others in a room in order to fit as many people as they can in the room. Such limited space is described as a coffin home which definitely traps and constraints the people's habits and activities.


Is Land Scarcity the Culprit of High Prices Housing?
Land Use Map of Hong Kong

Is it really that Hong Kong is running out of lands? By referring the land use map of Hong Kong, it's showing that the very densely developed urban landscape but yet there's still 75% of non-built-up area which is not developed. Again the question, is the pricey housing in Hong Kong result of the land scarcity? The answer is NO.

From the research, the problem of such high price housing isn't the shortage of land but the bad land management. The truth is, there's just 3.7% out of all the land in Hong Kong is zoned for urban housing due to the inefficient policy. With such scarce and valuable urban housing land zones, more and more competitive developers from mainland China bid in the auction process, and ends up the land is leased out with astronomical prove.

  Percentage of Government Revenue related to Land Leases in Hong Kong

Besides, the other reason is the low taxes policy in Hong Kong. It's a great place to do business in Hong Kong because of its low corporate taxes, no sales tax and free market economics. The government of Hong Kong isn't getting revenue from taxes, which means that they have to get it from somewhere else. The study shows that lots of the government revenue is driven by land revenue and it's about 30% of government public financing income. 

The way the government zones and leases the land, as well as the low taxes policy allows them to make tons of revenue and proud to be top of the ranking of world's freest economy. However, I think it's really less human-centered for Hong Kong citizen and missing of sense of home for the people. Hopefully, the government of Hong Kong should look into less profitable solution and zoning reform, and put the interest of people above interest of market to be socially sustainable!



reference:

Alan Taylor. (2017). The 'Coffin Homes' of Hong Kong. The Atlantic. Retrieved from: https://www.theatlantic.com/photo/2017/05/the-coffin-homes-of-hong-kong/526881/

Look What’s Hiding Inside Hong Kong’s Cage Homes. Bright Side. Retrieved from: https://brightside.me/wonder-places/look-whats-hiding-inside-hong-kongs-cage-homes-795235/


Kowloon Walled City, Hong Kong
City of Darkness
Kowloon Walled City was a remarkable high-rise squatter camp where more than 50,000 people were crammed into a mass of 500 slum buildings, within the 6.4 acres land of Hong Kong. It was once the most densely populated spot in the world before the demolition by the authorities in 1993. Originally a Chinese military fort, the walled city became an ungoverned enclave in 1989 and controlled by local triads from 1950s to 1970s, with high rates of prostitution, gambling and drug abuse. Therefore, it comes with the name 'City of Darkness' in Cantonese.

Architecture without Architects

The unplanned walled city was a self-constructed autonomous district that grew without input from architects or planners, from a squatter camp inside an abandoned military fort to the most densely housing on earth. Despite its dystopian appearance and poor image to the outsiders, for thousands who called it home, Kowloon Walled City was a friendly, tight-knit community that was poor but generally happy.

The phenomenon of architecture with identity crisis is apparent due to the impact of globalism in contemporary architecture which generally lead to the inherent loss of characteristic and identity of one place.

Rem Koolhaas. 2014: What remains of national style today? How did we get there?

Rem Koolhaas. 1914: National architecture still recognizable.


As showing above are the photo montages by the architect, Rem Koolhaas illustrating that the national identity of most buildings nowadays are being wiped out due to the favour of international style by the developers and designers. In Malaysian as well, it's also obvious that some business-minded developers tend to embrace that globalism rather than their own national characteristic, therefore, the loss of architectural identity happened.

In order to preserve the Malaysian vernacular value in contemporary architecture, I think there is a need to explore, perhaps the integration of local building materials with traditional design techniques in order to preserve Malaysian vernacular in contemporary architecture that responds to the environmental value and also the socio-cultural value.  

Contemporary vernacular architecture should adopt regional building material as sustainable mean in contemporary vernacular architecture towards sustainable living environment which mitigate environmental impacts and carbon footprint, and also to alternative construction techniques and novel spatial possibility. Besides, it is important to integrate regional building materials with vernacular typology through modernization process which mitigate environmental impacts and carbon footprint yet lead to a indoor thermal comfort as well as enabling alternative construction techniques and novel spatial possibility to meet the socio-cultural and environmental value. In relation to that, it is critical to apply traditional design technique in contemporary vernacular architecture which employ user’s expectations, nature and tropical climate are main basis of design in a sustainable and resilient vision that respond to contemporary vernacular architecture that embraces regional identity and preserve originality.

In short, I would advocate that the modernization process of vernacular architecture through the innovative integration of vernacular construction technique and regional materials responding to the environmental sustainability, enabling alternative construction techniques and novel spatial possibility, meanwhile exploiting its user’s expectations, nature and tropical climate as design basis, thereby achieving the socio-cultural and environmental value of sustainable living environment. As a result, it represents the identity of one place!


Dogs & Architecture
Domestic dog has been man's best friend for at least 15,000 years. The close relations, loyalty, and companionship of dogs with humans is a mutually symbiotic relationship. Today, many of our best friends, the dogs, live indoor under one roof closely with their owners, the human especially in the western culture. However, the so-called home is actually the architectural environments that designed with concept of human engineering to fit human body. There's no such a thing as architecture for dogs or cats. The life of a pet has always been destined and governed by their owner's choices. What if we were to go beyond human scale, to imagine an environment based on the scale of dogs or cats?

Architecture - Happiness to Dogs & People



sun-loving pup and its bed

As a dog owner, I understand that most of the dogs play hard and sleep hard. The best place to nap and to comfort themselves could be anywhere in the house where they feel safe. Their emotional feeling towards the environment could be observed simply from their reaction, whether they're happy towards sunny day or depressed during the stormy rain. A good shelter for the dogs could be as simple as just a sunlight as their bed, and they will never request more.
Dog are mankind's eternal partners, and at the same time an animal whose many varieties have been produced by human intervention in the form of interbreeding different lineages. - Kenya Hara, Architecture for Dogs
I think architecture for dogs should be reconsidered, to be looked into a different perspective to change the way human interact with their pet dogs in order to improve the owner and canine well-being. A good shelter for the canine able to decide its emotional feeling where the happiness or sadness can then be delivered to our emotional feeling too. I remembered there's once my dog, Apple was there to comfort me after the terrible fighting with my sibling. Apple was there listened to me, which actually calmed me down and stopped me from making worse decision. As a dog lover, I definitely support the architecture for dog as I think human should be selfless and being lovely towards not only just the dogs, but all kind of life in the world! Rather than being anthropocentric,I have been indoctrinated into believing that my worldview is to embrace the ecological concern through architectural design.


Whenever we start designing a building, site analysis would be the very first step to understand the proposed context in order to synthesize and produce a context-respecting architecture. And, during the design stage architects are practiced to design an architecture which relate and respond to the context. However, due to budget and different perspective from the developers, we still able to found those development nowadays which is so 'international style'. I definitely not a supporter of that, just simply that it HAS NO SPIRIT.

Critical Regionalism and 'Place'
Critical regionalism is an approach to architecture that strives to counter the placelessness and lack of identity of the International Style, but also rejects the whimsical individualism and ornamentation of Postmodern architecture. - Wikipedia
As mentioned, the emerge of ‘critical regionalism’ is to counter the placelessness and lack of meaning in modern architecture. Critical regionalism adopt modern architecture critically in order to show its progressive qualities of development in one place, but at the same time it does show respond to the context. 
Based on my understanding, critical regionalism cannot be simply based on the visual indigenous form, but it should also emphasize on topography, climate, light and tectonic form of a site. I strongly agree that, a good modern architecture to relate the genius loci of a place, cannot blindly respond to its historical background, however, more focusing on current situation in term of the site context and the current culture there. But not to neglect the past, which means that, in critical regionalism, the past can be deconstruct into a more abstract but not a direct way, to make sense of its past in one context. 
Ningbo Museum in China by Wang Shu
Local Traditional 'wapan' Construction Technique

A good example would be Wang Shu’s Ningbo Historical Museum. Wang Shu from China used the concept of mountains and rivers which is very influential in Chinese culture of poetry, using Ningbo’s local demolished materials, to show the respect and memory of site culture. At the same time, his actual intention is to make statement against its surrounding context of developed skyscrapers which are violet against the people’s lifestyle there. The combination of the regional traditional construction of ‘wapan’ and modern technology, married together to achieve its desired height yet to reveal its authenticity.

I accept the strategies of Critical Regionalism which is to connect the impact of universal civilization with elements from characteristic of particular place. The hidden meaning can be occurred yet not to over highlight it, in order to show the current quality and condition of the place. However, I think that architecture might be complicated showing the critical regionalism of a place in future, as times goes, things change. When too much information has to be included in one architecture, it may be complex.

It will be challenging in the future to reconstruct an architecture in the way of Critical Regionalism. It is difficult to achieve strong emotive and cognitive but it will be the right way as well (to not too focusing the past). As an architects, we try to maintain a spirit of a place in details!




reference:
A Fortress Besieged by Critical Regionalism. Retrieved from:
http://www.oris.hr/en/oris-magazine/overview-of-articles/[121]a-fortress-besieged-by-critical-regionalism,1734.html

Critical Regionalism. Retrieved from:
https://www.slideshare.net/ar_suryas/critical-regionalism
Due to the Coronavirus Pandemic, the Malaysian citizens are ordered to abide to the Movement Control Order (MCO) which is to perform social distance as a preventive measure towards the spread of Coronavirusas. And recently, there's an upset announcement regarding the extension of the movement which the citizens got to stay at home for about a month. This pandemic really makes everyone frustrated and distress staying home, as just like to stay in a isolated jail. However, while staying in my home, I have received this very interesting unexpected video showing the communal interaction during the quarantine period between built space. 


Quarantined residents in Spain take to their balconies for group exercise

Life Between Buildings

It's interesting to see social interaction and participation of life between buildings. And I do believe that the design of built environment has a significant effect on our mental health and well-being. Besides, the understanding of social sciences has to be applied thoughtfully to the sphere of design and architecture in order to achieve the improvements in social interaction and spaces that respond better to people’s natural psychological preferences.

“A good city is like a good party – people stay longer than really necessary, because they are enjoying themselves.” – Jan Gehl
As during the frustrated quarantine, the people are trying to break the stressful atmosphere with a positive and healthy 'party' by utilizing the courtyard within the apartments. The community activate the public space,creating positive physical environment and providing opportunity for meetings and interaction. Here, you can meet a new friend or greet an old friend. Such a low-intensity contact is an outset for growth of higher intensity interaction as well as to maintain an established contact.

In between the built spaces, we as a designer should always provide the opportunity for the people to discover the space. Just like walking in a city, you could just walk and walk and walk. However, walking is a mode of transport which can be very interesting. Walking is much more than just walking. You can walk and watch, or walk and talk. Life between buildings keep one in touch with social happenings. The opportunity to see and hear other people in a city implies an offer of valuable information about the surrounding social environment in general. Besides, it also could be a source of ideas and inspiration by seeing others in action.

As an architect, we don’t simply design a space but we should have to uncover the quality and emotion of one space. We don’t simply create a path but we reveal any positive possibility and value of the journey.




reference:
Gehl, J. (2011). Life between buildings: using public space. Island press. 

Quarantined residents in Spain take to their balconies for group exercise | GMA Digital Retrieved from:
https://www.youtube.com/watch?v=h2Rle1YS5Fs

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